Wednesday, October 30, 2013

Confirmation: Weekly News & Notes
















 *Karrin Allyson and David Basse are releasing albums during the next week.  The release date for the "physical" edition of Bobby Watson's Check Cashing Day is November 12.

*Chuck Haddix is interviewed by Joe Dimino.  Haddix and Bobby Watson will reprise their concert/book talk at the Jeannette Nichols Forum on November 6.

*Libby Hanssen recounts the excitement of a People's Liberation Orchestra gig at the RecordBar.

*A critic compares and contrasts biographies of Charlie Parker by Stanley Crouch, Gary Giddins and Chuck Haddix.

*The Pitch recommends a gig by New Jazz Order.

*Jon Poses takes note of A Kansas City Trumpet Summit.

*Here's the latest episode of 12th Street Jump's "Blues In the News."

*Tweet o' the Week: Kelly Ludwig- Chuck Haddix signing his great new book about Charlie Parker (just for you, Christy) #charlieparker (Instagram)

*Comment o' the Week: KC Jazz Lark- Wow. I am honored and humbled. Sometimes people who read our occasional disagreements ask me if we get along. I am always delighted to tell them we're friends.

*From a press release: Kansas City’s community jazz scene revives with former Jardine’s General Manager, Pat Hanrahan, in Midtown this Nov. with the opening of The Broadway Jazz Club, located at 3601 Broadway Avenue. The location operated as a speakeasy during the peak of the city’s jazz age, and is across the street from the historic Ambassador Hotel, where legendary jazz performers like Marilyn Maye once performed.  Near the Country Club Plaza and not far from the performing arts venues downtown, the Broadway Jazz Club is in the heart of the Broadway Arts District, offering a rich, historical context to enjoy live jazz five nights a week. The new venue establishes a community-oriented jazz destination that is accessible, relaxed and centered around Kansas City’s tremendous jazz reputation with local musicians.  The management team, led by owner and entrepreneur Neil Pollock, includes Hanrahan as General Manager and Steve Wachsberg with operations… ollock, a lifelong connoisseur of jazz, always dreamed of opening his own jazz club in Kansas City, famous for its jazz heritage… Broadway Jazz Club boasts a diverse, active lineup of the city’s most talented jazz musicians five nights a week for jazz lovers of all ages to enjoy. Each night will feature different styles of jazz, including rhythm and blues on Tuesdays, pianists on Wednesdays, live trios on Thursdays and five- to six-piece bands with live vocalists on Fridays and Saturdays. Additionally, Broadway Jazz Club will feature a jazz pianist during a daily happy hour. Operating times include Tuesdays – Thursdays from 4:00 p.m. – midnight, Friday from 4:00 p.m. – 1:30 a.m. and Saturday from 6:00 p.m. – 1:30 a.m.  Broadway Jazz Club will also operate as a full-service bar and restaurant, seating up to 120 guests with a total capacity for 160, with plans to announce its full menu closer to opening.

*From Connie Humiston: November 3rd, 10:30 a.m. to 1:00 p.m. ~ American Jazz Museum.  Benefiting the Pancreatic Cancer Action Network.  Brunch with Millie Edwards & Herman Mehari. Stroll through the Museum exhibits. Mark Lowrey performing in the Blue Room. Host: Larry Moore, KMCB news anchor. $50 (a portion is tax-deductible).  Museum admission included.

*From Rob Scheps: Our next Project in Kansas City and the Midwest is a stellar quartet.  Featuring Eliot Zigmund, the drummer in the Bill Evans Trio with Eddie Gomez for 4 years, Eliot is one of the living greats of jazz percussion.  Fridays April 4 and 11, 2014 (at) Lucky Brewgrille, and Friday April 18, 2014, (at) Take Five Coffee Bar.

*From Jim Mair: It might sound cliché, but the latest invitation for the Kansas City Kansas Community College music program is truly a “once in a lifetime experience.”  The KCKCC Jazz Band has been invited to perform at the 2014 Havana International Jazz Festival in Havana, Cuba. The festival is Dec. 17 to 22, 2014. Jim Mair, professor of music and director of instrumental studies at KCKCC, said the band was invited based on its long reputation as one of the premiere community college jazz ensembles in the nation.  “This will truly be a life-changing experience,” Mair said. “Some of the students are very excited. Others have not yet absorbed what this means. This is a very exciting opportunity.”…  Mair said a 19-piece jazz band will travel to Cuba, either through Miami, Fla. or Cancun, Mexico…  With plans already in the works to travel to Cuba next year, Mair said the next step is to begin raising the approximately $60,000 it will take to get the jazz band to Cuba.  Mair said he would like to open the trip to people within the Wyandotte and Kansas City area community. He said to take people with the jazz band would serve as a cultural exchange, exposing as many people as possible to Cuba. Those who are interested in traveling with the jazz band are responsible for their own expenses and travel costs…“I would like to make it a community effort. Anyone who wants to go, who likes to travel can go,” he said. “This is a special circumstance to visit a country not many have been able to experience before.”

*From the American Jazz Museum: Friday Nov 1- Michael Carvin Experience w/ Jansen Cinco, Yayoi Ikawa, Keith Loftis $15.  Saturday Nov 2- CD Release Party! David Basse Featuring Curtis Lundy $15.

*From Take Five Coffee + Bar: Friday, November 1, 8pm - 10pm:  David Basse-Curtis Lundy Quartet.  We are honored to have Kansas City legend David Basse in for an intimate performance and CD release party at Take Five. As a singer and drummer, Basse has performed all over the world with jazz luminaries such as Jay McShann, and his voice is heard far and wide every week as he hosts the "12th Street Jump" on KCUR and "The Jazz Scene" on Kansas Public Radio… $15 cover. Saturday, November 2, 8pm - 11pm:  Jeff Harshbarger Quintet - Jazz in the Jungle Afterparty… Harshbarger is joined by saxophonists Rich Wheeler and Matt Otto and guitarist Brian Baggett, and drummer Brian Steever… Sunday, November 3, 7pm - 9pm:  Chilliott… Join us Sunday evening for Chilliott, a three-piece groove oriented fusion band featuring Charlie Harris on bass, Elliott Stevens on percussion and BJ Presnell on banjo.. If you like Bela Fleck, you won't want to miss this show.

(Original image by Plastic Sax.)

Monday, October 28, 2013

KC Jazz Lark: An Appreciation























My words surprised me.

"That blog is one of the best things to have happened to Plastic Sax," I told a friend over lunch last week.

I was referring to KC Jazz Lark, the "other" Kansas City jazz blog.  I'd never articulated Plastic Sax's relationship with KC Jazz Lark in those terms.  Plastic Sax had been around for two years when the man behind KC Jazz Lark began publishing his thoughts in 2009.  By creating something for Plastic Sax to push against, KC Jazz Lark provided this site with fresh inspiration. 

While we both champion of few of the same things- Bobby Watson, the People's Liberation Big Band, Take Five Coffee + Bar among them- KC Jazz Lark and I observe the jazz scene from different vantage points.  KC Jazz Lark loves swing.  I'm partial to experimental sounds.  As an optimist, KC Jazz Lark views a few dozen people in a jazz club as proof of the music's viability.  I see the same crowd as Floor Left Row GG at a concert at the Sprint Center.  While I'm prone to hyperbole, KC Jazz Lark is consistently reasonable.

Yet he's hardly a delusional cheerleader.  KC Jazz Lark regularly examines unfortunate realities from his redoubtable perspective as one of the region's most trustworthy banks of institutional memory. 

I'll almost certainly continue to squabble with KC Jazz Lark.  Even so, I'm proud to share a space with the excellent historian, gifted photographer and passionate advocate of Kansas City jazz.  I'm even happier to acknowledge that the man behind KC Jazz Lark is my friend.

Friday, October 25, 2013

Now's the Time: The Project H and Chris Hazelton's Boogaloo 7


The final show of the Black Lab New Music Festival features The Project H and Chris Hazelton's Boogaloo 7 at Paragraph Gallery on Saturday, October 26.  The Project H is seen and heard to good effect in a 2012 performance at KJHK.

Wednesday, October 23, 2013

Confirmation: Weekly News & Notes















*Matt Jones, the owner of the Phoenix, suggests that "“(i)t’s tough around Kansas City to be a jazz guy."

*A report in The Kansas City Star indicates that the Broadway Jazz Cafe "will offer live music five nights a week."

*Chuck Haddix was interviewed by KCPT about his his biography of Charlie Parker.  Here's footage from Haddix's reading at Unity Temple.

*NPR interviewed Stanley Crouch about his new biography of Charlie Parker.

*The Pitch recommends Friday's performance by the Jazz Disciples with Lisa Henry.

*The Kansas City Star offers a review of the Jazz at Lincoln Center Orchestra's appearance at Helzberg Hall.  KC Metropolis' analysis of Saturday's concert is here.

*Kevin Mahogany recalls the time he spent at Baker University.

*Here's a new episode of 12th Street Jump's"Blues In the News."

*Joe Dimino interviewed Chicago-based trumpeter Marquis Hill.

*Tweet o' the Week: Anton Donaldson- Kansas City jazz legend Lonnie McFadden. #jazz #kansascity (Vine)

*Comment o' the Week: Timothy- If its not a greasy sound it must have been recorded at Soundtrek. No disrespect to Soundtrek but it is a notoriously polite sound. Maybe I'm wrong. Tim

*From Jim Mair: The Kansas City Kansas Community College Jazz Program will present a showcase at the Green Lady Lounge on Veteran's Day, Monday, November 11th from 7pm to 10pm.  Showcase will feature Jazz Band, Jazz Combos, Vocal Jazz Ensembles and Student Jazz Soloists. The showcase is free of charge and open to the public.

*From Take Five Coffee + Bar: The power this weekend at Take Five Coffee + Bar comes from the depths- two outstanding shows led by two of the city's premier bassists. Come get that feeling down in your bones. Friday, October 25, 8pm: Ben Leifer's Plus Minus: Among his many ensemble affiliations, Ben Leifer is part of the trio, Diverse, that originally opened up Take Five to the idea of a coffeehouse hosting live jazz. Having him back in the room, leading a terrific quartet he calls Plus Minus, is a long-awaited treat: Andrew Ouellette on keys, Matt Hopper on guitar, and John Kizilarmut on drums. $5 cover. Saturday, October 26, 8pm:  Bill McKemy Quartet: As a composer, leader and sideman, bassist Bill McKemy has been tearing up the Kansas City jazz scene for years and continues to deliver surprises at every turn. In front of his own quartet of equally imaginative and powerful players - Brian Baggett on guitar, Rich Wheeler on tenor and Sam Wisman on drums - he'll take over Take Five this Saturday, much to our delight. $5 cover.

(Original image by Plastic Sax.)

Monday, October 21, 2013

Album Review: A Kansas City Trumpet Summit

















A void that remains unfilled was created when KCUR's weekly show "Just Jazz" ended its long run in 2005.   Co-hosts Ginney Coleman and Ruth Rhoden valued swing above all else.  Their unwavering advocacy of locally-produced mainstream jazz is sorely missed.

The women would have almost certainly championed A Kansas City Trumpet Summit as one of the most important albums to emerge from the regional scene in years.  Gorgeous even on the uptempo selections, the project is unflaggingly tasteful.

The showcase for Stan Kessler, Hermon Mehari and Mike Metheny doesn't feature fiery battles.  Instead, it's an elegant exercise in cooperation.  Pianist T.J. Martley, bassist Gerald Spaits and drummer Brian Steever provide support.

The liner notes of the CD indicate the order of solos, but anyone who's logged much time in Kansas City's jazz venues won't need to consult them.  Each man has a clearly defined approach.  (The distinction is made even clearer when Metheny picks up his EVI.)

The playing is uniformly impeccable.  In fact, the absence of grit is a bit disarming.  The flawless sheen of the production may disappoint anyone who prefers a greasier sound.  Even a version of Jimmy Smith's "Back at the Chicken Shack" is as clean as a whistle.  The production and the material align on the ballads.  The Metheny feature "For Parkville," the album's closing track, is rapturously beautiful.

It's a shame that Ginney and Ruth aren't around to broadcast the good word. 

Friday, October 18, 2013

Now's the Time: The Jazz at Lincoln Center Orchestra and Chorale Le Chateau


The combination of the Jazz at Lincoln Center Orchestra and Chorale Le Chateau at a gospel-themed concert at Helzberg Hall on Saturday, October 19, promises to be potent.  Joe Klopus implores people who attend only attend jazz concerts when they involve Wynton Marsalis to expand their palates in his weekly column.

Wednesday, October 16, 2013

Confirmation: Weekly News & Notes


















*Joe Dimino interviews Abel Ramirez for his Neon Jazz program.

*The Kansas City Star published a review and a report about the 18th & Vine Jazz and Blues Festival.

*KC Jazz Lark ponders the public's perception of the Jazz District.

*Stanley Crouch promoted his new biography of Charlie Parker on PBS.  (Tip via Tony's Kansas City.)

*Lee Hartman reviewed a performance by the People's Liberation Big Band.

*A van owned by trumpeter George Robinson was stolen

*The Pitch recommends Parallax's performance at Take Five Coffee + Bar.

*The Black House Collective shares another round of photos documenting its new music festival.

*The $14 million National Blues Museum opens in St. Louis next year.

*Tweet o' the Week: ashley- At the 18th & Vine Jazz and Blues Festival with my grandma..

*From Mike Metheny: It's always a pleasure (and a challenge!) to be on the same stage with such outstanding musicians as Stan Kessler (tpt), Hermon Mehari (tpt), TJ Martley (p), Gerald Spaits (b) and Brian Steever (dr). And how's this for a bona fide Kansas City Trumpet Summit: the equally outstanding Clint Ashlock (tpt) will be a special guest during each set at the Blue Room on Saturday, Oct. 26, 8:30-12:30. (That's Clint's photography on the cover of the new CD that will be available at the gig.) Hope to see you there!

*From a press release: Annual birthday bash celebrating & featuring Tim Whitmer with party revelers the Wild Women of Kansas City, guitarist Rod Fleeman & the Consort Band. Wednesday, November 6, 2013. 7:00 p.m.  Unity Temple on the Plaza.  $7.00. Children under 16 free.

*From 12th Street Jump: This week on 12th Street Jump we celebrate the birthday of Lee Konitz with our special guest Rob Scheps. The gang sees "Who's Got the Blues" in South Bend, IN and offers a little help to the President.

(Original image by Plastic Sax.)

Monday, October 14, 2013

Restaurant Review: Smooth J Cafe

















What's a restaurant review doing on a jazz blog?  Well, what's in a name?

The "J" in Smooth J Cafe stands for "Jazz."  The proprietors of the establishment in a Johnson County strip mall recently opened a restaurant that, in their words, "combines their love of cooking with their love of smooth jazz music."

And sure enough, songs dominated by treacly soprano sax and cloying acoustic guitars played softly in the background of the tidy room during my initial visit last week.  The ostensibly soothing sounds may have helped me keep my composure during a needlessly convoluted ordering process.  The embedded photo shows that the menu is posted on a wall several feet to the left of the order counter.  As with a couple subsequent customers, I had to shuffle back and forth to make my decision.

I ended up having a polite employee make my selection for me.  She recommended a "Rhythm Section" sandwich and cheesy corn casserole.  While a tad skimpy for the price ($8.50 including a side order and a cookie), the sandwich was tasty.  The casserole was delicious.

In spite of a full parking lot that happens to be the original site of the Corporate Woods Jazz Festival, only a few customers walked through the door during my 40-minute visit.  The nearby Garozzo's and Chipotle were packed.  That may change Friday, October 18, when Heat Index performs at Smooth J Cafe from 11:30 a.m. to 1 p.m. 

While I may not make a special trip to Smooth J Cafe for a sandwich, the addition of a consistent live music lineup- along with the cheesy corn casserole- would keep me coming back for more.

(Original image by Plastic Sax.)

Friday, October 11, 2013

Now's the Time: Bobby Lyle and Peabo Bryson


A rewarding weekend is on tap for aficionados of commercial jazz and vintage slow jams in Kansas City.  Highlights include keyboardist Bobby Lyle, one of many artists slated to perform in a tribute to the late George Duke on the main stage of the 18th & Vine Jazz and Blues Festival on Saturday, October 12.  Vocalists Peabo Bryson and Kansas City's Ron Gutierrez will entertain at the KC Live! stage in the Power & Light district on Sunday, October 13.  Lyle and Bryson appear together in the embedded video.

Wednesday, October 9, 2013













*Critics at The Pitch named Jeff Harshbarger, Plastic Sax's 2011 Person of the Year, as the Best Local Musician.  They awarded Take Five Coffee + Bar with the prize of Best Suburban Oasis.  Owners Doug and Lori Chandler were Plastic Sax's 2012 People of the Year.  The publication's readers- presumably fans of Tim Whitmer's Saturday afternoon gigs- voted The Phoenix as the Best Jazz Venue.

*Joe Klopus previews Saturday's 18th & Vine Jazz and Blues Festival in his weekly column.

*KC Jazz Lark considers the unusual challenges faced by the organizers of 18th & Vine Jazz and Blues Festival.

*A man has been charged with assault in connection to last month's shootings near 18th & Vine.

*Libby Hanssen reviewed Gretchen Parlato's concert at the Folly Theater.

*The Pitch recommends Brian Haas' performance Sunday, October 13, at the RecordBar.

*Howard Reich raves about Bobby Watson in The Chicago Tribune.

*Matt Otto and a cat issue a "30 day long tone challenge."

*"Kansas City Swing", a new play set in 1947 Kansas City, opens in New Jersey this week.

*Former Kansan Lisa Engelken's new album Little Warrior was reviewed by a California-based publication.

*Comment o' the Week: Gary- Went to Take Five Saturday night and heard James Isaac Group. Thanks for the tip, Plastic Sax.

*Tweet o' the Week: Follow dw6 and JAG- Spoken to some great musicians so far in KC! Spent some time at the American Jazz Museum and now we're about to interview Bobby Watkins!

*From a press release: The Jazz Program at Kansas City Kansas Community College will present their first concert of the season West Wyandotte Library on Wednesday, October 9th at 6:30pm. Directed by Jim Mair and John Stafford II, the concert will feature the KCKCC Jazz Band, Latin Band, Jazz Combos and Vocal Jazz Ensembles.  Open to the public, there is no charge although donations for student travel opportunities will be accepted.

*From Take Five Coffee + Bar: This weekend at Take Five Coffee + Bar we're offering the power and passion of high-flying ensembles featuring some of the best trumpet artistry you'll find anywhere… Friday, October 11, 8pm:  The Rob Scheps/Jim O'Connor Quintet.  Saxophonist Rob Scheps finds a way to ramble through Kansas City a couple of times a year... Trumpeter Jim O'Connor, his guest on this tour, has... a deep list of credits... The crew behind these two are some of KC's best: Roger Wilder on piano, Bob Bowman on bass and Brian Steever on drums. $5.  Saturday, October 12, 8pm:  The Hermon Mehari Trio with Anthony Saunders...  Featuring Ryan Lee on drums and Andrew Ouellette on keys, this show will also showcase Hermon's special guest, vocalist Anthony Saunders... $5 cover.

(Original image by Plastic Sax.)

Monday, October 7, 2013

Event Review: Chuck Haddix at Unity on the Plaza















I would pay $7 just to hear Chuck Haddix talk about Charlie Parker for 90 minutes.  Throwing down that amount to hear Haddix's thoughts on Bird complemented with performances by several of Kansas City's most notable musicians represents a rare bargain.  An audience of over 300 took advantage of the deal at Unity on the Plaza on Wednesday, October 2.

Haddix was promoting his new biography Bird: The Life and Music of Charlie Parker.  Plastic Sax reviewed the book last month.  The event was part of Tim Whitmer's monthly Spirituality and All That Jazz series.

The evening began with the house band of pianist Whitmer, saxophonist Jim Mair, bassist James Albright and drummer Jurgen Welge playing "Autumn Leaves" and "My Little Suede Shoes."  Mair floored me by making a bold statement with a Grafton saxophone on the latter selection.  Unfortunately, his nod to Parker's infamous plastic sax won't be repeated anytime soon. 

"I just sold it and I'm shipping it out tomorrow," Mair said.

Haddix read from his book and shared personal anecdotes about his relationship with Parker's music.  He recalled initially failing to appreciate Parker's approach after he bought "a $2.99 cutout" album at the UMKC bookstore.

"I didn't get it," Haddix confessed.

He explained that the tall tales of bar owner Milton Morris played an instrumental role in fostering his understanding of Parker's legacy.  Haddix reminded the audience of Parker's affection for "Cherokee" in his introduction to the standard.  The format- Haddix's analysis of the evolution of Parker's career followed by a related performance- would continue for the remainder of the evening. 

Accompanied by Albright and Welge, saxophone giant Bobby Watson, trumpeter Hermon Mehari and pianist Andrew Ouellette tore into "Cherokee."  Watson stormed through the changes as if he was momentarily possessed by Parker.  Watson's bluesy take on "Body and Soul" was brilliant.  Mair returned to the stage for a lively rendition of "Jumpin' the Blues." 

Watson and Mehari played impressive unison lines on "Yardbird Suite."  "Groovin' High" and "Just Friends" were followed by a version of "Now's the Time" that closed the unique and entertaining event on a rapturous note.

(Original image by Plastic Sax.)

Thursday, October 3, 2013

Now's the Time: Krystle Warren

Earlier today I told a fan of experimental rock and female singer-songwriters that if he attends one jazz concert in 2013, its should be Gretchen Parlato's appearance Saturday at the Folly Theater. Here's why. That said, I'm choosing to shine Plastic Sax's dim spotlight on Krystle Warren's return to Kansas City. The modern day version of Nina Simone is better known in France than in her hometown.  Warren, Brad Cox, Jeff Harshbarger and Mike Stover play the KC Live stage in the Power & Light district on Sunday.  Solomon Dorsey, another native of Kansas City, accompanies Warren in the embedded clip.

Wednesday, October 2, 2013

Confirmation: Weekly News & Notes


















*Chuck Haddix discussed his new biography of Charlie Parker with Steve Kraske on KCUR's Up to Date.

*NPR offers a review Stanley Crouch's biography of Charlie Parker.

*Megan Birdsall interviewed Andrew Ouellette for the Green Lady Lounge's Tumblr.

*Four people were shot last week near the Mutual Musicians Foundation.  A lengthy report in The Kansas City Star examines the consequences of the incident.

*Black House Collective is one of four Kansas City-based organizations to receive SEED grants from the Robert Rauschenberg Foundation. "(T)he grantees will receive $10,000 per year for three years."  The collective shares another round of photos from its new music festival.

*The day after I published Monday's editorial about the fractured jazz community, Kansas City Jazz A.L.I.V.E., "a new Jazz catalyst organization," came to my attention.

*Photos of Jon Faddis and Marilyn Maye are among the second set of images captured by KC Jazz Lark documenting the 2013 edition of the Prairie Village Jazz Festival.

*Nicolay of the Foreign Exchange recalls performing for a tough audience at the Blue Room.

*Krystle Warren will make a rare appearance in her hometown on Sunday, October 6, at the KC Live stage.

*Here's the latest episode of 12th Street Jump's "Blues In the News."

*Comment o' the Week: Anonymous- The first time I heard about the Blvd. charity project was a couple days before it ended. I had seen no advertising whatsoever until a last minute half-***** attempt at getting AJM audience members to vote. Of course they lost! The AJM marketing team needs some serious rethinking. Just trying to negotiate the website gives me headache. See for yourself by trying to find out who is playing at the Blue Room in October. Just being honest here. Does Myra Taylor's life story really warrant a musical production?  Mr. Butler has big ideas but unfortunately none of them are very good. The incentives were poor and the project was poorly outlined. "The majority of the over 1,000 people who attend every concert by the Kansas City Jazz Orchestra at Helzberg Hall probably aren't terribly concerned with the legacy of Charlie Parker."  Really? Did you ask them individually? They, unlike the younger musicians in town, actually grew up when Parker's music was being produced. I think they might surprise you. "Most of the supporters of the jam sessions at YJs don't feel a strong connection to the American Jazz Museum" Absolutely incorrect.

*Tweet o' the Week: Matthew Kassel- Traffic was thick as freckles on the face of a redheaded cracker." (One of many choice lines in Stanley Crouch's new Charlie Parker bio.)

**From Brad Cox: Wednesday, October 2--Jeff Harshbarger--The Music of True Grit, Plaza Library, Truman Forum at 7:00pm. Free (not jazz).  Thursday, October 3--Solo Keyboard, Computer and Social Media Performance, Paragraph Gallery from 7:30-9:30pm. Free. Sunday, October 6-Krystle Warren, Power and Light Live at 6:00pm. Free. Sunday, October 6--People's Liberation Big Band, RecordBar at 8:00pm, $5. Tuesday, October 8-People's Liberation Big Band-The Valdislav Starevich Project,
Kansas City Art Institute at 7:30pm. Free.


*From Take Five Coffee: The October music lineup at Take Five Coffee + Bar features a mix of artists from far-off lands and world class talent from right here in KC. We kick it off this week with Paul Zaborac, a saxophonist from Australia, and then Ben Van Gelder, a saxophonist from The Netherlands by way of New York City, comes in to spar with Hermon Mehari. Wrap it up with James Isaac's ensemble of versatile KC masters, and you'll have a weekend to remember.

Thursday, October 3, 7pm:  The Paul Zaborac Trio- On tour from Sydney, Australia, the Paul Zaborac Trio is sure to blow our little room away… $5 cover.  Friday, October 4, 8pm:  Hermon Mehari with special guest Ben Van Gelder-… Widely recognized among the best and most distinctive sax players under 30 in the world, Ben is a captivating performer. $5 cover… Saturday, October 5, 8pm:  James Isaac Group- With Jeff Harshbarger on bass, Mike Stover on guitar and/or pedal steel, and Scotty McBee on the drums, Isaac will take us places none of us can guess. $5 cover. This just ahead: Rob Scheps and Jim O'Connor Quintet; Hermon Mehari Trio; singer/songwriter Kate Cosentino; Parallax; the Mike Herrera Quintet; Ben Leifer Quartet; Bill McKemy. Thinking out to November? Here are some teasers: David Basse; Jeff Harshbarger; KC Sound Collective; Interstring; M-Bird; Project H; Peter Schlamb; Shay Estes.


*The Kansas City Jazz Calendar has been updated.

(Original image by Plastic Sax.)